Monday, October 31, 2016

all hallow's blues


10/31/15

We'd been in the same room once, at a music club in the basement of a Chinese restaurant, where a tribute show for some it-band was being held until well into what was called the "vulnerable hours" in a book I'd read.

It sounds cooler than it was.

I turned twenty-one that night, staring at my dying phone in the middle of a raging song. I watched the numbers change on the clock portion of my lockscreen. And at midnight on Halloween, for a moment, I was the only one who knew.

It was a strange feeling—I'd spent many newly-minted birthdays alone before, but never in a room full of people. I tried sensing a certain change, any change, within me, but I was as unremarkable and still as ever. I downed some of my beer (it was horrible and I hated it and I probably wasn't built for drinking of any sort) and tried to focus on the musicians on the makeshift stage, their faces half-hidden in the dimness. I felt out of place, like I always did, because everyone seemed to know everybody else but me.

But you were there, and you were a sight, with your cellophane eyes and your unruly hair, and I just knew I would never see you again. You were one of them, of course; you fit in.

I slipped away and left halfway through the show, already the slightest bit irrationally sad that I was losing you, a total stranger. I spent the rest of the night slowly finishing off the cheap caramel cake my parents had gotten me from the local bakery and wondering if I'd ever been truly drunk before.

(I probably have, once. I found out I was the space-out kind; lots of unfocused distant stares, speaking less and sinking even deeper into my head.)

I wasn't then, I don't think. But I was something.

Sunday, October 16, 2016

forgotten journal entry dated january 21st, 2016


Found in a notebook with a poster of La Parisienne (1957) on the cover. It spans two pages of writing; the rest of the journal is empty. 

*

I don't know how I keep finding ways to survive.

It's so weird seeing my friends tweet about the flow of their routines, which are suddenly moving very differently than mine.

On my way to the mall I passed a man selling goldfish from a nifty little station built out of a bicycle. If I were in a French film, there would be a shot of me—having just taken an unconventional path that goes against my responsibilities—gazing pensively at the goldfish, then it would jump to a shot of me struggling to cradle a small water-filled plastic bag in my lap, my new fish friend swimming around inside. It would become a symbol of character development and plot movement. 

I didn't buy a goldfish (I wanted to), but I just know: When shit inevitably hits the fan, it dies.